Friday, February 22, 2008
The Maestro
Speaks about why music stinks these days...
I refuse to wear brown lipstick (if you're confused, you just don't get it!).
On the Monkees show.
Some Equipment...And A SECRET!
Here's a list of some equipment used at "the Moonroom":
2 VF-160 Digital Multitracks, Linked For 32 tracks
2 VF-160 EX Digital Multitracks
Behringer ADA8000 Mic Pre / ADAT
2 Rane DC-24 Compressor / Limiter / Noise Gates
2 Rane VP-12 Voice Processors
Antares ATR-1a Auto-Tune Intonation Processor
Peavey 213 FX Equalizer
Fostex D-8 Pro DAT Recorder
Pioneer PDR-509 CD Recorder
Sony MD Recorder
Sony Portable MD Recorder
Zoom H4 Flash Stereo / 4 Track Recorder
Fostex R-8 8 Track Reel To Reel Recorder
Fostex 12 X 8 X 2 Mixer
Soundcraft 8 X 2 Mixer
Boss SE-50 Stereo Effects Unit
Alesis Microverb II Reverb
Kenwood Turntable
2 Akai 1/4" Reel To Reel Recorders
That's just a start. Sure, some of that equipment seems old - it is! Been doing this since 1988. Hold on to your old stuff long enough, and it becomes VINTAGE.
Now for the SECRET. Make sure that you don't tell anyone...
It doesn't really matter what equipment you have, what really matters is that you know how to use it well. Seriously. No kidding. Ask anyone who's been recording for at least ten years. "Equipment" is much further down on the list than the guys selling the magazines would have you believe. Important, just further down the list than skill, familiarity, and experience.
2 VF-160 Digital Multitracks, Linked For 32 tracks
2 VF-160 EX Digital Multitracks
Behringer ADA8000 Mic Pre / ADAT
2 Rane DC-24 Compressor / Limiter / Noise Gates
2 Rane VP-12 Voice Processors
Antares ATR-1a Auto-Tune Intonation Processor
Peavey 213 FX Equalizer
Fostex D-8 Pro DAT Recorder
Pioneer PDR-509 CD Recorder
Sony MD Recorder
Sony Portable MD Recorder
Zoom H4 Flash Stereo / 4 Track Recorder
Fostex R-8 8 Track Reel To Reel Recorder
Fostex 12 X 8 X 2 Mixer
Soundcraft 8 X 2 Mixer
Boss SE-50 Stereo Effects Unit
Alesis Microverb II Reverb
Kenwood Turntable
2 Akai 1/4" Reel To Reel Recorders
That's just a start. Sure, some of that equipment seems old - it is! Been doing this since 1988. Hold on to your old stuff long enough, and it becomes VINTAGE.
Now for the SECRET. Make sure that you don't tell anyone...
It doesn't really matter what equipment you have, what really matters is that you know how to use it well. Seriously. No kidding. Ask anyone who's been recording for at least ten years. "Equipment" is much further down on the list than the guys selling the magazines would have you believe. Important, just further down the list than skill, familiarity, and experience.
Saturday, February 16, 2008
3-D Sound? 3-D Microphones!
Here is a picture of "Lamont", my dummy head, used for recording binaural stereo. Binaural recording is a process used for ultra-realistic stereo. A pair of high quality omnidirectional microphones are mounted on either side of the lifesize resin head, picking up sounds exactly the way a real head would. This allows for some startling effects: a whisper right next to the ear, a flute solo that travels around the listener, people speaking in a room...all with incredible depth and vivid tangibility.
Then there's this oddity - an obscure Crapitol/EMY album from 1963 called "With The Dummies". Might this be where Frank Zappa copped the line in Camarillo Brillo: "She said her stereo was four-way"? One of the tracks on this album, "Eight Ears To Hear You" was later cribbed as "Eight Arms To Hold You" by both The Beatles and Veruca Salt. This album remains unheard by all but a select few, since it was recorded in the highly experimental octophonic format. Rumors of an 8-track release are unfounded - so far, the few 8-tracks that have turned up have proven to be fakes. Also rumored to have influenced Wayne Coyne of the Flaming Lips (see their album "Zaireeka", a 4-cd set designed to be listened to on 4 different cd players simultaneously!).
NOW BACK TO THE REAL WORLD...Here is a groovy picture of an assortment of microphones used here in the Moonroom. Since I was originally posting about binaural recording and 3-D sound, here is a 3-D photograph! Click on the picture to get the big version, cross your eyes until you get a third version in the middle of the original two, focus on it, and there you have it - microphones in three dimensions! Wow! And how many 7 foot square moon posters have you seen, let alone in 3-d?!?
Why name him Lamont? Click the funky-looking bar below to find out...
Then there's this oddity - an obscure Crapitol/EMY album from 1963 called "With The Dummies". Might this be where Frank Zappa copped the line in Camarillo Brillo: "She said her stereo was four-way"? One of the tracks on this album, "Eight Ears To Hear You" was later cribbed as "Eight Arms To Hold You" by both The Beatles and Veruca Salt. This album remains unheard by all but a select few, since it was recorded in the highly experimental octophonic format. Rumors of an 8-track release are unfounded - so far, the few 8-tracks that have turned up have proven to be fakes. Also rumored to have influenced Wayne Coyne of the Flaming Lips (see their album "Zaireeka", a 4-cd set designed to be listened to on 4 different cd players simultaneously!).
NOW BACK TO THE REAL WORLD...Here is a groovy picture of an assortment of microphones used here in the Moonroom. Since I was originally posting about binaural recording and 3-D sound, here is a 3-D photograph! Click on the picture to get the big version, cross your eyes until you get a third version in the middle of the original two, focus on it, and there you have it - microphones in three dimensions! Wow! And how many 7 foot square moon posters have you seen, let alone in 3-d?!?
Why name him Lamont? Click the funky-looking bar below to find out...
Sunday, February 10, 2008
Test - 1, 2, 3, 4 - test, test!
This is just a test. If this were a real emergency, you would have been instructed where to listen for more information. This is only a test. Beeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeep!
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